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PETA comes back to the theater with Rody Vera’s musical farce Walang Aray

forgforg Administrator PEx Moderator
edited November 21 in Showbiz - General #1


QUEZON CITY, Philippines – “TUMINDIG AT UMIBIG!” The Philippine Educational Theater Association (PETA), the makers of the hit musical Rak of Aegis, is finally returning back to the theater for full live performances featuring a brand-new original Filipino opus: a witty, funny, and daring musical to hit the PETA Theater Center, Rody Vera's fiercely irreverent, ferociously clever, and seriously hilarious farce, Walang Aray!

Signaled by critics to be "PETA's next surefire hit" calling it "a rare intelligent gem," Walang Aray is literature and history coming alive in the most cutting-edge and entertaining manner.

Presented by PETA with Indie.Go Media, Walang Aray is a genre-defying adaptation of the screenplay Walang Aray, based on Severino Reyes’ classic sarsuela Walang Sugat.

The musical richly mashes the timeless classic with contemporary language, funk and pop tunes, and tongue-in-cheek humor.

This old-meets-new production directed by Ian Segarra, with original music by Vince Lim, caps PETA’s emerald year.  

Walang Aray runs at the PETA-Phinma Theater, PETA Theater Center, New Manila, Quezon City from February 17 to May 14, 2023. 

For partnerships and showbuying inquiries, contact Mitch Go at 0917-539-1112 or email PETA at [email protected] 

For more information about Walang Aray, follow PETA’s social media pages: @petatheater.

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  • forgforg Administrator PEx Moderator


    Rody Vera’s Walang Aray is Severino Reyes’ Walang Sugat Born Anew

    QUEZON CITY, Philippines – Philippine Educational Theater Association (PETA), makes a big comeback to live performances with an all-new original Filipino musical, Walang Aray.

    Playwright Rody Vera reveals that Walang Aray was originally written in 2007 as a screenplay commissioned by Jun Reyes, the award-winning filmmaker, veteran advertising director, and founder of top creative content agency Indie.Go Media. Fittingly so, Reyes is the great-grandson and creative heir of Severino Reyes, who wrote the famous 1898 zarzuela Walang Sugat, on which Walang Aray is based.

    The Indie.Go Media film project, however, did not push through as originally planned, as Vera tells, “I had so much fun writing the screenplay, but unfortunately, the cost of doing such a wonderful musical film was much too high. The piece was shelved and for more than ten years it remained in the ‘baul’.”

     In 2018, Vera presented Walang Aray to PETA, and Artistic Director Maribel Legarda suggested having original music for the show instead of the initial plan of using OPM songs. “At first, I was a bit reluctant, saying that choosing which OPM song to sing was integrally part of the whole style and tone of the screenplay. But when Vince Lim churned out his first few songs, I was conVinced,” Vera enthused. After much adjustment and revisions to translate the musical from screen to stage, Walang Aray was first performed in a PETA Lab show in 2018 and 2019 under the direction of Ian Segarra with original music and musical direction by Vince Lim, generating an enthusiastic and positive response from audiences and critics alike.

    Vera’s updated stage version of Walang Aray is literature and history brought to life in the most cutting-edge and entertaining way, as the musical masterfully blends the timelessly old with modern terminology, funk and pop music, and tongue-in-cheek comedy.

    It is a farce and a tribute with so many layers: the musical form of the zarzuela that has been labeled as “outdated” has been reinvented for new audiences without compromising its roots, and the historical narrative also resonates with the present time.

    Vera states that amidst the humor and entertainment, Walang Aray also provides commentary on the institutions of old. But is it just poking fun at the villains of our history? Not quite, because the institutions placed under farcical scrutiny in Walang Aray are still here, though modified or configured differently.

    “The hypocrisy, the power trips, hidden desires, deceptions, and idiosyncrasies — they’re all still here. And I think that’s exactly what makes this ‘slight’ adjustment from the original zarzuela relatable to us today,” Vera explains.

    As the first show to hit the PETA stage after the COVID-19 pandemic, Walang Aray represents the hope that theater can now enter a new chapter after years of global tragedy and hardships. “The pandemic was a long, terrible nightmare and now, we’re back on track ready to fulfill what we all planned – and more!,” says Vera. “While we’re aware these things indeed happened and may happen again, we’re also here to remind people that theater, always... ALWAYS dies and is born anew.”

     Walang Aray celebrates the joys and victories of Filipinos, while remembering our colorful history in the theater, and against our oppressors. T

    he musical is top-billed by Star Magic’s “hottest musical couple” #KDLex, KD Estrada and Alexa Ilacad, alternating with triple threat theater artists Gio Gahol and Marynor Madamesila as Tenyong and Julia. The cast also features PETA artists Jarred Jaicten, Kiki Baento, Carlon Matobato, Gie Onida, Norbs Portales, Neomi Gonzales, John Moran, Tom Bienvenida, Donn Boco, Gerard Dy, Yeyin Dela Cruz, Ada Tayao, and Ayla Garcia, with Gardo Exconde and Csai Habla as the swings. The musical features young PETA artists at the helm of its creatives: Ian Segarra (director), Vince Lim (composer, musical director, sound designer, additional lyrics), Happy Constantino (sound designer), Gio Gahol (choreographer), Julio Garcia (production designer) and Ayla Garcia (voice coach). They are joined by guest artists, David Esguerra (lighting designer), and JayLo Cunanan (costume designer).

    Walang Aray will run at the PETA Theater Center from Feb 17-May 14, 2023. Tickets are available via TicketWorld.com.ph starting December 10, 2022. For bulk tickets and showbuying inquiries, contact Mitch Go at 0917-539-1112. 

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